Education

Tony & Chelsea talk about AI generated fashion models, the brands using them, and how the replacment of models will impact the photography industry. Can photographers adapt?

Episode 486 of the Lens Shark Photography Podcast In This Episode If you subscribe to the Lens Shark Photography Podcast, please take a moment to rate and review us to help make it easier for others to discover the show. Sponsors: – Build Your Legacy with Fujifilm. Latest savings at FujfilmCameraSavings.com – Shop with the legends at RobertsCamera.com, and unload your gear with UsedPhotoPro.com – 20% OFF with code SHARKY2026 at BenroUSA.com – Calibrate's big WYSIWYG savings! – More mostly 20% OFF codes at LensShark.com/deals. Stories: The new, affordable Godox LE200D. (#) Brightin Star's 11mm funk buster. (#) Think Tank's PhotoCross v2 sling. (#) Fujifilm's two newest Fujikina events. (#) Amaran's new, affordable Halo series. (#) TTArtisan's AF 17mm f/1.8 Air. (#) A 31.5" Eizo. (#)   Connect With Us Thank you for listening to the Lens Shark Photography Podcast! Connect with me, Sharky James on Twitter, Instagram Vero, and Facebook (all @LensShark).

Photography has plenty of different specialty areas—portraits, sports, fashion, food, still life—to name just a few. In today's show we're going to investigate a specialty that involves all these subjects, while calling for a photographer who is technically precise, emotionally intuitive, and practically invisible, all at once. It's a corner of the industry people rarely consider, but one that holds massive influence over our cultural lives. This is the domain of the Unit Set Photographer: the person responsible for the pictures that sell a film or a show before anyone else has seen a frame of it.  During a spirited conversation with photographers Myles Aronowitz and Cara Howe, we pull back the curtain on what it really feels like to toil on set, build trust with talent, and come away with great images under conditions that are rarely in your favor.  In addition to learning the origin stories to their intense, multifaceted careers, we distinguish between work on feature films and tv productions, reveal the secret superpowers of stealth and stillness essential for success on set, describe how to build alliances across an film entire crew, and talk about value of the global shutter to combat banding with LED lights. Or, as Myles sums things up in a nutshell, "One of the great things about being a still photographer on set is you're basically observing everything. I think of it as a learning experience every day." Episode Timeline: 3:26: Defining the role of a unit set photographer and how it fits into a larger film or tv production. 8:24: How Myles first got into photographing stills for movie sets in the analog days.  11:22: Cara's career path to working on films, joining the union, and becoming a unit set photographer. 16:54: Digging deeper into the multifaced role of still photographer on movie sets. 20:50: Does your work on a film set affect how you experience the finished production? 22:28: Making distinctions between work on a feature film set vs a tv production. 35:40: The importance of relationships with other crew members, from the assistant director to the lighting crew to the sound department.  40:35: Episode Break 41:22: The sound blimp days of working with film and DSLRs before the switch to mirrorless.  52:37: The cameras and lenses Myles & Cara work with on set. 57:12: Booking gigs, work schedules & downtime between jobs in both feature films and tv productions. 1:00:03: Post-production and turn-around time for delivering files. 1:02:41: Pathways for joining the Cinematographers Guild—IATSE Local 600. 1:05:53: Myles's post-retirement life and the importance of personal work as part of his vision. 1:10:28: Cara's personal projects and connections to the Hudson Valley art community. Stay Connected: Myles Aronowitz Website: https://mylesaronowitz.com/ Myles Aronowitz YouTube: https://www.youtube.com/@mylesaronowitz Myles Aronowitz Vimeo: https://vimeo.com/mylesaronowitz?fl=pl&fe=po Myles Aronowitz on LinkedIn: https://www.linkedin.com/in/myles-aronowitz-0779499/ Myles Aronowitz on IMDB: https://www.imdb.com/name/nm0036938/ Cara Howe Unit Stills Website: http://carahowephoto.com/ Cara Howe Personal Website: https://www.carahowecreative/ Cara Howe on Instagram: https://www.instagram.com/carahowephoto/ Cara Howe on LinkedIn: https://www.linkedin.com/in/carahowe/ Cara Howe on IMDB: https://www.imdb.com/name/nm1244868/  

An in-depth conversation about the organization's mission, evolution, and vision for photography's future.

Tips For Finding Photography Clients It is hard for me to believe, but there are some people who can very naturally approach and talk to people.  On top of that, some of those may also have the advantage of being well established in their community.  Those people may not need the tips offered here.  For everyone else, here are some … The post Finding and Communicating With Clients appeared first on Master Photography Podcast.